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Владимир Маяковский

1893-07-19编剧

性别:

生日:1893-07-19

出生地:Bagdati, Russian Empire

又名:В. Маяковский

职业:编剧

家庭成员:-

Vladimir Vladimirovich Mayakovsky (Russian: Владимир Владимирович Маяко́вский; 19 July [O.S. 7 July] 1893 – 14 April 1930) was a Soviet poet, playwright, artist, and actor. During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement, being among the signers of the Futurist manifesto, A Slap in the Face of Public Taste (1913), and writing such poems as "A Cloud in Trousers" (1915) and "Backbone Flute" (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and created agitprop posters in support of the Communist Party during the Russian Civil War. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Communist Party and a strong admiration of Vladimir Lenin, Mayakovsky's relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet State in cultural censorship and the development of the State doctrine of Socialist realism. Works that contained criticism or satire of aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), were met with scorn by the Soviet state and literary establishment. In 1930 Mayakovsky committed suicide. Even after death his relationship with the Soviet state remained unsteady. Though Mayakovsky had previously been harshly criticized by Soviet governmental bodies such as the Russian Association of Proletarian Writers (RAPP), Premier Joseph Stalin described Mayakovsky after his death as "the best and the most talented poet of our Soviet epoch."

Владимир Маяковский在本站可看的作品

Владимир Маяковский在本站有2部作品,包括影视2部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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Человек Маяковский
免费

Человек Маяковский

动画,纪录

1980-11-01 

《Человек Маяковский》(1980),这部传记电影将镜头对准了苏联诗坛巨人马雅可夫斯基的内心世界。不同于常规生平叙事,影片通过碎片化的场景与诗歌朗诵,交织展现了他与未来主义运动、革命浪潮以及三角恋情的复杂纠葛。亮点在于导演运用超现实手法,让马雅可夫斯基的诗歌直接化为人物的行动与对话,观众仿佛能听见诗人在时代洪流中的呐喊与孤独。黑白影像与红色元素的强烈对比,强化了那个激情与压抑并存的时代氛围。即便对苏联文学不熟悉的观众,也能被这种诗意与悲剧感深深吸引。推荐给所有想通过电影感受革命者灵魂的影迷——这绝对是一部值得看的艺术传记片。

Человек Маяковский

Мир без игры
免费

Мир без игры

纪录

1966-05-29 

《Мир без игры》(1966),这部苏联实验电影以冷峻的镜头语言构建了一个没有游戏、没有虚构、一切行为都必须具备“真实效用”的反乌托邦世界。主人公是一名负责“娱乐监管”的官员,他奉命销毁所有棋牌、乐器与童话书,却在执行过程中发现人们开始用眼神交换秘密,用脚步在地面画出无形的棋盘。影片用大量手持长镜头捕捉街头民众的细微反抗——孩童假装跌倒的轨迹构成图案,老人在面包店排队时哼出被禁的旋律。当主人公最终被自己搜集的“违规幻想”灼伤内心,一场无声的暴动在冬日的广场上绽放。没有慷慨激昂的台词,却被誉为“用沉默唱出的赞歌”。对于喜欢思想实验与形式创新的影迷,这部冷门佳作非常推荐。

Мир без игры

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Человек Маяковский
免费

Человек Маяковский

动画,纪录

1980-11-01 

《Человек Маяковский》(1980),这部传记电影将镜头对准了苏联诗坛巨人马雅可夫斯基的内心世界。不同于常规生平叙事,影片通过碎片化的场景与诗歌朗诵,交织展现了他与未来主义运动、革命浪潮以及三角恋情的复杂纠葛。亮点在于导演运用超现实手法,让马雅可夫斯基的诗歌直接化为人物的行动与对话,观众仿佛能听见诗人在时代洪流中的呐喊与孤独。黑白影像与红色元素的强烈对比,强化了那个激情与压抑并存的时代氛围。即便对苏联文学不熟悉的观众,也能被这种诗意与悲剧感深深吸引。推荐给所有想通过电影感受革命者灵魂的影迷——这绝对是一部值得看的艺术传记片。

Человек Маяковский

Мир без игры
免费

Мир без игры

纪录

1966-05-29 

《Мир без игры》(1966),这部苏联实验电影以冷峻的镜头语言构建了一个没有游戏、没有虚构、一切行为都必须具备“真实效用”的反乌托邦世界。主人公是一名负责“娱乐监管”的官员,他奉命销毁所有棋牌、乐器与童话书,却在执行过程中发现人们开始用眼神交换秘密,用脚步在地面画出无形的棋盘。影片用大量手持长镜头捕捉街头民众的细微反抗——孩童假装跌倒的轨迹构成图案,老人在面包店排队时哼出被禁的旋律。当主人公最终被自己搜集的“违规幻想”灼伤内心,一场无声的暴动在冬日的广场上绽放。没有慷慨激昂的台词,却被誉为“用沉默唱出的赞歌”。对于喜欢思想实验与形式创新的影迷,这部冷门佳作非常推荐。

Мир без игры

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探索更多

查看全部内容

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