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寺山修司

1935-12-10导演

性别:

生日:1935-12-10

出生地:Aomori, Japan

又名:Shûji Terayama,寺山 修司,Shuuji Terayama,테라야마 슈지,슈지 테라야마

职业:导演

家庭成员:-

From Wikipedia, the free encyclopedia. Shūji Terayama (December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in the northern Japanese prefecture of Aomori. His father died at the end of Pacific War in Indonesia in September 1945. At the age of nine, his mother moved to Kyūshū to work at an American military base while he himself went to live with relatives in the city of Misawa, also in Aomori. At this same time, Terayama lived through the Aomori air raids that killed more than 30,000 people. Terayama entered Aomori Prefectural Aomori High School in 1951, and in 1954 went to prestigious Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film "Throw Away Your Books, Run into the Streets! In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film "Les Enfants du Paradis", so can be translated as "children of heaven", however its correct translation is "Ceiling Gallery" and has a meaning similar to the English expression "Peanut Gallery". The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include "Bluebeard", "Yes", and "The Crime of Fatso Oyama", among others. Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami. He was also involved in poetry and at 18 was the second winner of the Tanka Studies Award. Terayama experimented with ‘city plays’, a fantastical satire of civic life. Also in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is in fact still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa. In 1976, he was a member of the jury at the 26th Berlin International Film Festival. Terayama published almost 200 literary works, and over 20 short and full-length films. He was married to Tenjō Sajiki co-founder Kyōko Kujō, but they later divorced, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver. Description above from the Wikipedia article Shūji Terayama, licensed under CC-BY-SA, full list of contributors on Wikipedia

寺山修司在本站可看的作品

寺山修司在本站有2部作品,包括影视2部。 可在网页、手机 App 和电视端观看,也可以转到电视直播。

演员作品

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あしたはどっちだ、寺山修司
免费

あしたはどっちだ、寺山修司

纪录

2017-12-02 

《あしたはどっちだ、寺山修司》(2017) 这部纪录片以诗意的镜头语言,追循寺山修司这位传奇前卫艺术家的人生轨迹。影片没有平铺直叙地讲述生平,而是通过未曾公开的影像、手稿和亲友访谈,拼贴出他内心那个充满实验、叛逆与浪漫的世界。片名“明天是哪个方向”恰如寺山本人——永远在探索未知,拒绝被定义。从地下剧场到银色诗篇,他的每一面都像棱镜般折射出时代的疯狂与敏感。亮点在于导演巧妙混合真实素材与超现实动画,让寺山那些关于死亡、故乡与自由的思考变得触手可及。若你对日本亚文化或先锋艺术感兴趣,这部影片绝对值得看。

あしたはどっちだ、寺山修司

记忆のカタログ
免费

记忆のカタログ

暂无分类信息

1977-08-28 

《记忆のカタログ》(1977),一部以情感为线索的文艺剧情片,用记忆清单串联起跨越时空的人生碎片。主角在整理亡妻遗物时,发现一本标注着日期的旧相册,每页照片背后都藏着一个未说完的故事——从秘密初恋到错失的旅行计划,从被遗忘的约定到从未送出的礼物。这些看似琐碎的档案,逐渐拼凑出两人婚姻中那些被日常掩盖的深情与遗憾。导演以克制而诗意的镜头语言,让观众跟着主角一起在记忆的迷宫里徘徊,最终领悟:爱不是完美无缺的相册,而是愿意整理那些泛黄杂乱的页码。这部1977年的影片不煽情却动人,尤为推荐给喜欢在慢节奏中品味人生况味的影迷。

记忆のカタログ

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あしたはどっちだ、寺山修司
免费

あしたはどっちだ、寺山修司

纪录

2017-12-02 

《あしたはどっちだ、寺山修司》(2017) 这部纪录片以诗意的镜头语言,追循寺山修司这位传奇前卫艺术家的人生轨迹。影片没有平铺直叙地讲述生平,而是通过未曾公开的影像、手稿和亲友访谈,拼贴出他内心那个充满实验、叛逆与浪漫的世界。片名“明天是哪个方向”恰如寺山本人——永远在探索未知,拒绝被定义。从地下剧场到银色诗篇,他的每一面都像棱镜般折射出时代的疯狂与敏感。亮点在于导演巧妙混合真实素材与超现实动画,让寺山那些关于死亡、故乡与自由的思考变得触手可及。若你对日本亚文化或先锋艺术感兴趣,这部影片绝对值得看。

あしたはどっちだ、寺山修司

记忆のカタログ
免费

记忆のカタログ

暂无分类信息

1977-08-28 

《记忆のカタログ》(1977),一部以情感为线索的文艺剧情片,用记忆清单串联起跨越时空的人生碎片。主角在整理亡妻遗物时,发现一本标注着日期的旧相册,每页照片背后都藏着一个未说完的故事——从秘密初恋到错失的旅行计划,从被遗忘的约定到从未送出的礼物。这些看似琐碎的档案,逐渐拼凑出两人婚姻中那些被日常掩盖的深情与遗憾。导演以克制而诗意的镜头语言,让观众跟着主角一起在记忆的迷宫里徘徊,最终领悟:爱不是完美无缺的相册,而是愿意整理那些泛黄杂乱的页码。这部1977年的影片不煽情却动人,尤为推荐给喜欢在慢节奏中品味人生况味的影迷。

记忆のカタログ

探索更多

探索更多

查看全部内容

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